Produced by Portishead co-founder Geoff Barrow, this sharp-edged if undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one important plot development, but it leads to a comically executed chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now lets rip with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film is in British and Irish cinemas from November 17.